http://www.barockpoetik.de/w/index.php?action=history&feed=atom&title=Item%3AQ2782 2026-07-05T08:25:44Z Versionsgeschichte dieser Seite in Barockpoetik.de MediaWiki 1.41.1 http://www.barockpoetik.de/w/index.php?title=Item:Q2782&diff=25565&oldid=prev 2025-01-31T13:57:52Z

<p>‎<span dir="auto"><span class="autocomment">Datenobjekt geändert</span></span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 31. Januar 2025, 13:57 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno"></td><td colspan="2" class="diff-lineno">Eigenschaft / <a title="Property:P86" href="/wiki/Property:P86">Element von</a></td></tr><tr><td colspan="2"> </td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><span><a title="Item:Q106" href="/wiki/Item:Q106">Poetische Tafeln</a></span></ins></div></td></tr><tr><td colspan="2" class="diff-lineno"></td><td colspan="2" class="diff-lineno">Eigenschaft / <a title="Property:P86" href="/wiki/Property:P86">Element von</a>: <a title="Item:Q106" href="/wiki/Item:Q106">Poetische Tafeln</a> / Rang</td></tr><tr><td colspan="2"> </td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><span>Normaler Rang</span></ins></div></td></tr></table>

Hanna.Surjadi http://www.barockpoetik.de/w/index.php?title=Item:Q2782&diff=7526&oldid=prev 2022-06-23T12:12:20Z

<p>‎<span dir="auto"><span class="autocomment">Bezeichnung für [de] geändert: </span></span> Etliche gelehrte Leute haben beobachtet/ daß die Ebræer mit den Deutschen [G: [aq]lib. 5. Op. p. 1024[/aq].] im Verse-machen ziemlich übereinkommen/ zu welchem Ende [aq]Clajus[/aq] geschrieben: [aq]Germani ut Hebraei carmina scribunt, observantes in fine Rythmum, id est[/aq], [griech.], [aq]ut[/aq]: ¶ [G: [aq]Grammat. German. de ratio. Carm. German[/aq].] HERR JESU Christ/ ¶ [...] [S] ¶ [aq]Versus non quantitate (ut apud Latinos &amp; Graecos diphthongo, vocali ante vocale…</p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="de"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Nächstältere Version</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Version vom 23. Juni 2022, 12:12 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno">Bezeichnung / de</td><td colspan="2" class="diff-lineno">Bezeichnung / de</td></tr><tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Etliche gelehrte Leute haben beobachtet/ daß die Ebræer mit den Deutschen [G: lib. 5. Op. p. 1024.] im Verse-machen ziemlich übereinkommen/ zu welchem Ende Clajus geschrieben: Germani ut Hebraei carmina scribunt, observantes in fine Rythmum, id est, [griech.], ut: <del style="font-weight: bold; text-decoration: none;"> </del>[G: Grammat. German. de ratio. Carm. German.] HERR JESU Christ/ <del style="font-weight: bold; text-decoration: none;"> </del>[...] [S] <del style="font-weight: bold; text-decoration: none;"> </del>Versus non quantitate (ut apud Latinos &amp; Graecos diphthongo, vocali ante vocalem &amp; positione) sed numero syllabarum mensurantur, sic tamen, ut [griech.] &amp; [griech.], i. e. acutus &amp; gravis accentus observetur. Juxta quam pedes censentur aut Jambi, aut Trochaei, &amp; carmen fit vel Jambicum, vel Trochaicum. Syllabae enim, quae communi pronunciatione non elevantur, sed raptim, tanquam scheva apud Ebraeos, (ut geliebt/ bekannt) pronuntiantur, in compositione versûs nequaquam elevandae sunt, sed deprimendae: &amp; contra, syllabae longae, &amp; accentum sustinentes, nequaquam deprimendae, sed elevandae sunt, ut: <del style="font-weight: bold; text-decoration: none;"> </del>Im Gesetze steht geschrieben/ <del style="font-weight: bold; text-decoration: none;"> </del>[...] <del style="font-weight: bold; text-decoration: none;"> </del>Trochaici sunt. Nam si Jambici essent, syllabae deprimendae elevarentur, &amp; elevandae deprimerentur. Binis enim syllabis fit dimensio, quarum prior deprimitur, altera elevatur, in carmine Jambico; in Trochaico verò prior elevatur, posterior deprimitur. <del style="font-weight: bold; text-decoration: none;"> </del>§. III. Hiebey fället auch vor zu erinnern/ daß viel Lateinische Getichte/ aber Geistliche/ nicht nach ihrer rechten <del style="font-weight: bold; text-decoration: none;">quantität</del>; sondern nach dem accent gesetzet seyn. Diese Abmessung nennet Beda lib. de metris Rythmum[?], und schreibt davon also: <del style="font-weight: bold; text-decoration: none;"> </del>Videtur Rythmus metris esse consimilis verborum modulata compositio, non metricâ compositione, sed numero syllabarum, ad judicium aurium examinata; ut sunt carmina vulgarium Poëtarum Et quod Rhythmus per se sine metro esse potest; metrum verò sine rhythmo esse non potest. Quod liquidius ita definitur Metrum est ratio cum modulatione: Rhythmus est modulatio sine ratione. Plerunque tamen, casu quodam, invenies etiam rationem in Rhythmo, non artificii moderatione servatam; sed sono &amp; ipsa modulatione ducente: quem vulgares Poetae necesse est faciant rusticè, docti faciant doctè. Quomodo ad instar Jambici metri pulcerrimè factus est hymnus ille praeclarus: [S] <del style="font-weight: bold; text-decoration: none;"> </del>* [* fortè O Rex, vel Rex aevierne.] Rex aeterne Domine, <del style="font-weight: bold; text-decoration: none;"> </del>[...] <del style="font-weight: bold; text-decoration: none;"> </del>Et alii Ambrosiani non pauci. Iem ad formam metri Trochaici, canunt hymnum de die Judicii per Alphabetum: <del style="font-weight: bold; text-decoration: none;"> </del>Apparebit repentina dies magna DOMINI,</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Etliche gelehrte Leute haben beobachtet/ daß die Ebræer mit den Deutschen [G: <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>lib. 5. Op. p. 1024<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>.] im Verse-machen ziemlich übereinkommen/ zu welchem Ende <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>Clajus<ins style="font-weight: bold; text-decoration: none;">[/aq] </ins>geschrieben: <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>Germani ut Hebraei carmina scribunt, observantes in fine Rythmum, id est<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>, [griech.], <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>ut<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>: <ins style="font-weight: bold; text-decoration: none;">¶ </ins>[G: <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>Grammat. German. de ratio. Carm. German<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>.] HERR JESU Christ/ <ins style="font-weight: bold; text-decoration: none;">¶ </ins>[...] [S] <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>Versus non quantitate (ut apud Latinos &amp; Graecos diphthongo, vocali ante vocalem &amp; positione) sed numero syllabarum mensurantur, sic tamen, ut<ins style="font-weight: bold; text-decoration: none;">[/aq] </ins>[griech.<ins style="font-weight: bold; text-decoration: none;">] [aq</ins>]&amp;<ins style="font-weight: bold; text-decoration: none;">[/aq] </ins>[griech.], <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>i. e. acutus &amp; gravis accentus observetur. Juxta quam pedes censentur aut Jambi, aut Trochaei, &amp; carmen fit vel Jambicum, vel Trochaicum. Syllabae enim, quae communi pronunciatione non elevantur, sed raptim, tanquam scheva apud Ebraeos, (ut geliebt/<ins style="font-weight: bold; text-decoration: none;">[/aq] </ins>bekannt) <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>pronuntiantur, in compositione versûs nequaquam elevandae sunt, sed deprimendae: &amp; contra, syllabae longae, &amp; accentum sustinentes, nequaquam deprimendae, sed elevandae sunt, ut<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>: <ins style="font-weight: bold; text-decoration: none;">¶ </ins>Im Gesetze steht geschrieben/ <ins style="font-weight: bold; text-decoration: none;">¶ </ins>[...] <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>Trochaici sunt. Nam si Jambici essent, syllabae deprimendae elevarentur, &amp; elevandae deprimerentur. Binis enim syllabis fit dimensio, quarum prior deprimitur, altera elevatur, in carmine Jambico; in Trochaico verò prior elevatur, posterior deprimitur<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>. <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>§. III<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>. Hiebey fället auch vor zu erinnern/ daß viel Lateinische Getichte/ aber Geistliche/ nicht nach ihrer rechten <ins style="font-weight: bold; text-decoration: none;">[aq]quanti[/aq]tät</ins>; sondern nach dem <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>accent<ins style="font-weight: bold; text-decoration: none;">[/aq] </ins>gesetzet seyn. Diese Abmessung nennet <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>Beda lib. de metris Rythmum<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>[?], und schreibt davon also: <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>Videtur Rythmus metris esse consimilis verborum modulata compositio, non metricâ compositione, sed numero syllabarum, ad judicium aurium examinata; ut sunt carmina vulgarium Poëtarum Et quod Rhythmus per se sine metro esse potest; metrum verò sine rhythmo esse non potest. Quod liquidius ita definitur Metrum est ratio cum modulatione: Rhythmus est modulatio sine ratione. Plerunque tamen, casu quodam, invenies etiam rationem in Rhythmo, non artificii moderatione servatam; sed sono &amp; ipsa modulatione ducente: quem vulgares Poetae necesse est faciant rusticè, docti faciant doctè. Quomodo ad instar Jambici metri pulcerrimè factus est hymnus ille praeclarus<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>: [S] <ins style="font-weight: bold; text-decoration: none;">¶ </ins>* [* <ins style="font-weight: bold; text-decoration: none;">[aq]</ins>fortè O Rex, vel Rex aevierne<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>.<ins style="font-weight: bold; text-decoration: none;">] [aq</ins>]Rex aeterne Domine<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>, <ins style="font-weight: bold; text-decoration: none;">¶ </ins>[...] <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>Et alii Ambrosiani non pauci. Iem ad formam metri Trochaici, canunt hymnum de die Judicii per Alphabetum<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>: <ins style="font-weight: bold; text-decoration: none;">¶ [aq]</ins>Apparebit repentina dies magna DOMINI<ins style="font-weight: bold; text-decoration: none;">[/aq]</ins>,</div></td></tr></table>

Schennach http://www.barockpoetik.de/w/index.php?title=Item:Q2782&diff=7525&oldid=prev 2022-06-23T11:58:51Z

<p>‎<span dir="auto"><span class="autocomment">Ein neues Datenobjekt erstellt: </span></span> Etliche gelehrte Leute haben beobachtet/ daß die Ebræer mit den Deutschen [G: lib. 5. Op. p. 1024.] im Verse-machen ziemlich übereinkommen/ zu welchem Ende Clajus geschrieben: Germani ut Hebraei carmina scribunt, observantes in fine Rythmum, id est, [griech.], ut: [G: Grammat. German. de ratio. Carm. German.] HERR JESU Christ/ [...] [S] Versus non quantitate (ut apud Latinos &amp; Graecos diphthongo, vocali ante vocalem &amp; positione) sed numero syllabarum mensurantu…</p> <a href="http://www.barockpoetik.de/w/index.php?title=Item:Q2782&amp;diff=7525">Änderungen zeigen</a>

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